Spoken Word Griots: African Oral Tradition in Caribbean Music (Third Part) – #Calypso
by K. Omodele
A Short History of Calypso Music
The French Influence: Carnival and Canboule
Spain had first colonized Trinidad, but up to the 1770s the population was small, less than 3000, two-thirds of them Arawak. In 1770, a Frenchman made a proposal that would bring the French, their slaves and some free blacks from the French colonies/islands of Dominica, Grenada, Guadeloupe, Martinique, St. Lucia, and St. Vincent, to heavily populate Trinidad, which would help develop the plantation economy. These French (and blacks from French islands) turned the slow, undeveloped, Spanish colony, into a culturally French dominated one. And they brought the carnival and canboulay festivities and traditions.
Kaisos were now performed by griots and/or chantwells (from the French word chantuelles ) at canboulays (harvest festivals, from the French cannes brulées ), which was the black alternative to carnival (which neither slaves nor free blacks could attend). As a result, Kaisos and canboulay music became the voice of the people and were the music blacks performed and listened, under tents at canboulays .
Spoken Word and Storytelling
“A Calypsonian is a poor man newspaper.”
“I consider theKaisonian as the old African storyteller…”
The Mighty Sparrow’s Wanted Dead or Alive
The rule of the tyrants decline
The year, 1979
From Uganda to Nicaragua
It’s bombs and bullets all the timeSo they corrupt, so they vile
So it’s coup after coup all the while
Human rights they violate
They thought they were so great
So in disgrace now they live in exile
Gairy is a wanted man
Idi Amin is a wanted man
Shah of Iran tried so hard to survive
He, too,is wanted dead or aliveStrikes, demonstrations & wars
Injustice is always the cause
Politicians turn too soon from
Poor people into tycoons
Corruption must bring harassSouth African Vorster resign in disgrace
Muzurewa take away Ian Smith place
The Uganda devil was easily cat straddled
Beaten up and chased – what a waste.Gairy is a wanted man
Patrick John is a wanted man
The Shah of Iran try so hard to survive
He toowas wanted dead or alive.The shah had a short time to live
Because the Ayatollah don’t forgive
When you see church ruling state
With pure vengeance and hate
Situation must be explosiveGeneral Somoza from Nicaragua
Thought it was easy with the Sandinistas
With the help of Venezuela, Panama and Cuba
They kick him straight to America.Gairy is a wanted man
Bokassa is a wanted man
Ali Bhutto try so hard to survive
He toowas wanted dead or alive.Grenada mongoose was bad and so brave
They send the old bishop straight to the grave
After that well Gairy skip town
With the diary of the Obeah gong
No more people to enslaveTrinidad neighbors expected more mayhem
Anytime anything can happen to them
Eric Williams taking a backseat to avoid
Bacchanal
But everybodyknow he afraid a KarlGairy is a wanted man
Park Chung Hee was a wanted manAcheam Pong fight so hard to survive
He toowas wanted dead or alive
Conclusion
Calypso music carries the oral African traditions of storytelling, boastful tales and hilarious ridicule, and commentating social and political affairs. Calypsonians or
Spoken Word Griots: African Oral Tradition In Caribbean Music (Part 1)
Spoken Word Griots: African Oral Tradition in Caribbean Music – Calypso (Part 2)
Sources:
https://zocalopoets.com/2016/02/08/kaiso-to-soca-a-brief-history-of-calypso-music/
https://www.wordsinthebucket.com/the-evolution-of-calypso-and-birth-of-soca-music
Williams, Eric. History of the People of Trinidad and Tobago.
Nice piece breeding.
Give thanks, Clairmont. Art is life, nuh true?